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Jingle Sharks—In Honor of #SharkWeek

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Posted by Melika Dannese Hick in Fun Stuff, Missives, News, Updates

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Hi Everyone,

Sunday marks the 30th anniversary of Discovery Channel’s Shark Week. I’ve been watching this annual epic of jawesomeness since the beginning, and, given that Christmas In July is also being celebrated here in the States at the moment, I thought it was past time to dust off a little something I composed ten years ago and share it with all of you.

Here it is…Jingle Sharks—so named because Shark Week is the most wonderful time of the year.

Best,

~Melika

Jingle Sharks

 (As performed by Irv, a Great White Shark from Sydney, Australia, and all around fantastic lad,

with select interjections by the Australian Shark Chorus)

Swimming through the sea, with bloodshed on my mind,

I spy a little seal, then bite off his behind!

But he is just a snack, I need a bigger munch,

So when I spot a surfer dude, I shout, “Yippee! There’s lunch!”

 

Ohhh! Jingle Sharks, Jingle Sharks, chumming’s not for us!

Sharkin’s been looked down on since Old Quint, he bit the dust!

(And we’ve got Bruce to thank for that!)

Ohhh! Jingle Sharks, Jingle Sharks, we like our bait live!

Why don’t all you people on the beach come take a dive?!

(We won’t bite, we promise! Sharks’ honor!)

*brief tom-tom interlude: Da da da da da DA, dum dum!*

The surf is choppy now, and swimmers cannot see,

That lurking right offshore, is little three ton me!

I play it nice and cool, I bide my time so good,

And when nobody’s looking, I latch on to someone’s foot!

 

Ohh-ohhh-ohhhhhh! Jingle Sharks, Jingle Sharks, Shark Week is sublime!

We’ve ruled cable TV for three decades in prime time! Ohhh-oh-ohhhhhh!

Jingle Sharks, Jingle Sharks, everybody’s hooked!

Thanks to conservation, now, our goose ain’t gonna be cooked!

*raucous shouts of “Sharkland, forever!” erupt from the Australian Shark Chorus*

 

End Song

Copyright © 2008, 2018 by Melika Dannese Lux

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SPFBO Author Interview for The Thousand Scar Blog

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Posted by Melika Dannese Hick in Author Spotlight, Deadmarsh Fey, Fun Stuff, Missives, News, Updates

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#AmWriting, 18, 1888, 1894, 19th century, 2002, 2014, 2018, 700, a book addict's bookshelves, a fragment of life, a wizard should know better, ache, Agatha Christie, all we have to decide is what to do with the time that is given to us, Amazon, amazon.co.uk, Amazon.com, anne rice, antestheria, aragorn, arthur, arthur machen, Augustin Boroi, author, Authors, autonomy, autumn, awestruck, bear, best friend, betrayal, birthday, black cats, black winged beast, blog, blogger, bloggers, blogs, blood, blood wood, book, book addict, book feature, books, Books In My Belfry, British, brothers, brothers and sisters, business, calling, carte blanche, Carver, cats, celts, characters, charpentier, children, children of light, children of vampires, chocolate, chocolate chip, christened, City of Lights, City of Lights by melika lux, city of lights: the trials and triumphs of ilyse charpentier, classic, Coffyn, Constantinos, coquette, corcitura, Corcitura feature, count, Count Rakmanovich, Count Sergei Rakmanovich, Cover, creative fiction, crime and punishment, curse, cut, cutwater, cutwater island, dance hall, dance of romance, dannese, dark, dark fantasy, dark wreaker, darkness, dashing, deadliest, Deadmarsh, Deadmarsh Fey, deal, death, demons, demons of the deep, desire to weave stories, devil, dialogue, die, diva of the paris stage, dogs, Dostoevsky, double blinds, Dracula, draculaesque, dragons, dream, dreams, driving force, druids, dwellers, dwellers of darkness, dwellers of darkness children of light, earth, Eastern Europe, Eiffel Tower, email, emotional, England, englishman, enraptured, epic, Eric Bradburry, Europe, Excerpt, Facebook, faeries, fall, fallen kingdom, family, fantasy, fantasy is escapist, fascinated, fate, Fated, fated to die, father, fathomless, female author, female vampires, female werewolves, female writers, fey, fiction, Film, Fin de siècle, finding home, first novel, Folies Bergère, France, free, free reign, freebie, freedom, French, french flag, French wine, friends, Friendship, frodo, frodo baggins, full circle, Fuseli, Gandalf, gandalf the grey, Germany, giveaway, glories, glory, good and evil, good vs evil, Goodreads, gothic, gothic novel, Grand Tour, great god pan, Greece, grey beard, grey wolves, guides, guillermo del toro, Guinness, h p lovecraft, hammer, havelock, hazard, henry fuseli, here there be dragons, hermit, hermitlife, high school, hinterland, historical fiction, historical romance, home, hope, hopes, hopes and dreams, horror, Humor, hybrid, hybrid vampires, Ian McCarthy, ian mckellen, iconic, ilyse, Ilyse Charpentier, in which a dashing Englishman woos mademoiselle Charpentier, in-depth, incendiu, Indie, inspiration, instill, Interview, iron reveals, isobel, isobel vickers, J. R. R. Tolkien, Jack the Ripper, jagged ones, jess watkins, john william waterhouse, joy, Jurassic Park, Kindle, kindle giveaway, Kip, Kipling, Knightley, La Perle de Paris, la petite coquette, languages, laptop, legend, legends, Leonora, Leonora Bianchetti, lies, life, light, Links, lips, Lockie, loggerheads, logistical, London, longing for home, longings, lord of the rings, LOTR, Louvre, Love, love of reading, Luc, lux, lynn's books, machen, maddie, Madelaine Bradburry, malevolence, Manon Larue, marine biologist, mark lawrence, marked, Maurice Charpentier, meanings, meant to be, melika, Melika Dannese Lux, Melika Lux, michael baker, modern times, mother, Music, my calling, my dream, myth, names, nebulous, new, new release, news, night, nightmare, norse, norway, Nosferatu, novel, novelist, novels, now face-to-fey, oblivion, of darkness, opera, orange, original, orlok, pale, palming the ace, panic, Paperback, Paranormal, parc monceau, parents, Paris, Parisian, pianist, pict, plausible deniability, play, plots, pointy hat, post, pre-raphaelites, professor fertig, promotion, prophecy, publication, publicity, publishing, puckie, pumpkin, pun, pure magic, questions, quick-fire, quites, quote, rapture, reading, revenge, Review, rex, roger, Roger Knightley, romance novels set in historic France, Romania, Romanian, rural, rural england, Russia, russian, sacrifice, Sangue di Vita, scary, scary vampires, schadenfreude, seasonal, seized, self-published fantasy blog off, Sergei, Sergei Rakmanovich, series, seven hundred years, sham, Shark Week, Sharks, siblings, silver-tongued devil, singer, singing, sir frank dicksee, snippet, soprano, Sorina Boroi, souls, spfbo, Spooky, steal of a deal, Stefan, Stefan Belododia, Stefan Ratliff, story arcs, storytelling, storyweaving, stratosphere, summer, supernatural, supernatural thriller, Suspense, swathing, T-Rex, talking animals, tall tales, terror, the darkness within, The Fellowship of the Ring, The Lord of the Rings, the white people and other weird stories, these vampires don't sparkle, thousand scar, Thriller, Tolkien, Tollers and Jack, Toulouse Lautrec, Tour Eiffel, tragedy, trahaearn, train, travel, tricksy, triumph, triumphant, true love, truth, TV, Twilight, Twitter, Tyrian purple, UK, undead, updates, USA, vampire fiction, Vampire Hunter, vampire mythology, vampire mythos, vampires, vampiresses, vampiric, vampiric equality, vampiric transformation, vampirism, vamps, varney, varney the vampyre, Vasily Markolovick, vickers, violinist, Vladec, Vladec Salei, vocation, Vrykolakas, Wales, warnings and visitations, website, welsh, Werewolf, werewolf transformation, Whitechapel, wine, winter, wizard, Wood, wreaker, writer, writer's block, Writers, writing, Young Adult, young author, young female author, young love, Young Protagonists, young writer, Zigmund, Zigmund Fertig

Hi Everyone!

It is with great excitement that I share with you today the interview I did for the Thousand Scar blog. Many thanks to author and fellow SPFBO entrant, Michael Baker, for giving me the opportunity to answer these great questions. And also to author Mark Lawrence, for creating this fantastic contest in the first place!

And now for the interview! I hope you enjoy it.

  1. First of all, tell me about yourself! What do you write?

I have been an author since the age of fourteen and write novels that incorporate a variety of different genres, including historical fiction, suspense, thrillers with a supernatural twist, and dark fantasy. With my most recent release (and SPFBO 4 entrant), Deadmarsh Fey, I have transitioned into storyweaving fantasy full-time, but before this book, I had written an historical romance/family saga, City of Lights: The Trials and Triumphs of Ilyse Charpentier, and an historical Gothic suspense/thriller, Corcitura. The vampires in that one are definitely in the Classical tradition and would feel right at home sharing a pint or two of Sangue de Vita with Dracula or Varney or Count Orlok. In other words, they’d sooner rip out your throat than be caught undead sparkling.

  1. How do you develop your plots and characters?

Plots have always seemed to come into being after I already have a character, or set of characters, in mind. Certain paintings and other forms of art have inspired character (and story) ideas in the past, as well, specifically the works of the Pre-Raphaelites—Sir Frank Dicksee and John William Waterhouse being my favorite artists in the Brotherhood. Additionally, I have always found the work of Henry Fuseli morbidly entrancing, so much so that one version of his Nightmare ended up playing a pivotal role in Corcitura during an early scene set in the Louvre. The painting, and its ominous presence in that scene, still chill my blood to this day.

The meanings and stories behind names have always fascinated me, too. One chief reason characters tend to appear first in my imagination before plots do is because I research names and their origins ahead of anything else. Then, if inspiration starts tugging and insisting and refusing to leave me in peace unless I do something with what I’ve gathered, I give in and start storyweaving from there. This is what happened with the name Deadmarsh. I’d heard it in passing in 2002, and immediately thought, “Wow! What a creepy and portentous name to build a legend around!” I never expected it would take twelve years to finally invent a story to go with this name, but waiting for the right tale to make itself known was worth it.

There are many characters in Deadmarsh Fey who have Welsh names, and that was by design. If you dig a little deeper into what these names mean, you will see that I instilled traits into the characters that hearken back to what they were christened. With some of them, you would have also probably been able to hazard a fair guess as to their true identities and motivations…if I hadn’t made use of double blinds and false clues to throw readers off the scent. Being tricksy like this in my writing is one of my favorite things to do, because to have names be the sole source of a character’s reason for being, what makes him or her tick, would be to destroy the character’s autonomy—and would also be very lazy writing. Not to mention an unrewarding experience for the reader, and also myself, as the author. I have to stay engaged and be kept on my toes when crafting a novel, which is why I don’t outline, but prefer to figure things out along with my characters. It keeps things fresh and exciting, as does palming the ace as often as I can.

  1. Tell us about your current project.

My current project is the sequel to Deadmarsh Fey—set seven years later—and the second novel in Dwellers of Darkness, Children of Light. Several times in Deadmarsh Fey, I mentioned the Vickers family, particularly Isobel, the youngest daughter, who is Roger’s contemporary and good friend. Near the end of the novel, Isobel’s and her family’s link to the Deadmarshes, and the beings hunting them, is hinted at, and, to a certain extent, revealed to Roger in a shocking way. What he discovers leads directly into book two, Isobel’s story, which takes place on a desolate rock called Cutwater Island. Here there be sharks, and demons of the deep. And a creature whose memory is as fathomless as its desire for revenge.

  1. Who would you say is the main character of your novels? And tell me a little bit about them!

Each novel in Dwellers of Darkness, Children of Light has a different protagonist through whose eyes we see the story. In Deadmarsh Fey, this is Roger Knightley, ten years old and cousin to Havelock (Lockie), the Deadmarsh heir. Roger is a bit of a firecracker, and though he is just a child, he’s a well-read one, which has resulted in his having quite a vivid imagination. Sometimes, this exacerbates situations, yet it also means that Roger is unencumbered by the inability to accept wonder and the inexplicable at face value. Because of this, he’s able to understand and recognize the dangers the creatures rampaging out of the Otherworld and into our own pose to himself and his family sooner than the adults and certain other characters around him. He also has a wry bent to his personality, and a stubborn streak, that help and hinder him in various ways as the book progresses. And he’s obsessed with dragons. You’ll have to read the novel to find out if that’s a fatal character flaw or not.

Story wise, the events in Deadmarsh Fey, though cloaked in the garb of fantasy, are about fighting for the ones you love. That is the main driving force behind Roger’s actions and those of his friends and allies. It’s not just about survival, or stopping the Dark Wreaker—a nebulous entity that has bedeviled the Deadmarshes for seven hundred years—and his servants from  being unleashed upon this earth, but about saving the very souls of those who are most important to you, those you’d sacrifice everything for. And that is something that has always appealed to me, not only in storyweaving, but in life.

  1. What advice would you give new writers on how to delve into creative fiction?

Absolutely do NOT write what you know. That is the worst and most stultifying piece of advice I have ever been given. If I’d followed it, Deadmarsh Fey would not exist. Don’t write what you know. Write what you dream, and make sure to instill your entire being into what your heart and soul are calling you to breathe into life.

  1. What real-life inspirations did you draw from for the worldbuilding within your book?

The setting of Deadmarsh Fey is rural England in the late 19th century. Both of my previous novels have taken place in this time period, so I was already very familiar with the mores and history and other elements of this era. For the crafting of Everl’aria (the Otherworld that is seeking to join itself to our own throughout the novel), I wasn’t inspired so much by real-life examples as I was by the mythology of Norway and Wales, which I tapped into to create my own legendarium for Deadmarsh Fey and the successive novels in Dwellers of Darkness, Children of Light.

I was also incredibly inspired by the works of Arthur Machen, an author I’d first encountered in 2007 after reading his disturbing yet fascinating short novel The Great God Pan. Once read, it is impossible to forget, but I never delved into any more of Arthur’s stories till many years later, quite accidentally, but at exactly the time I needed to most. As I discovered, he seemed to view the fey (faeries) as dangerous and lethal beings you should never trust or turn your back upon if you wanted to live. That was how I’d always imagined they truly were, so I felt I’d found a kindred spirit in Arthur, and validation for my own theories about the fey, when I read The White People and Other Weird Stories in the spring of 2013. I see this moment as the catalyst for my ideas about Deadmarsh Fey starting to coalesce—and my excitement level for the book shooting up into the stratosphere. It would be less than a year after reading this collection that I began writing the novel.

Incidentally, as an homage to Arthur, I named Havelock (Lockie) after a minor character in A Fragment of Life.

  1. What inspires you to write?

The desire to weave stories and lose myself in other worlds. J. R. R. Tolkien, who has been a defining force and inspiration not only on my writing, but also in my life, once said that fantasy is escapist, and that is its glory. I never took this to mean that writing fantasy was a way of denying reality, or hiding yourself in invented worlds because you couldn’t face daily life in our fallen one. Quite the reverse. The concept of crafting myths and legends around very human characters who inhabited worlds that reflected the glories and evils of our own, that mirrored them in some unique yet hauntingly familiar way, fired my imagination like nothing else ever had. This is the reason I don’t write contemporary fiction. Not because I can’t, but because swathing a story in the trappings of fantasy makes the experience so much richer for me as a writer, and also, hopefully, for the reader, than it would a tale stripped of its glory set in modern times. And just because something is classified as “fantasy,” doesn’t mean it can’t be realistic. If anything, it should be more so. I have always endeavored to create characters that are human, with all our foibles and weaknesses, hopes and dreams—and longings for “home.” By home, I don’t mean a building, but a deep ache within the heart to find the place where we belong. And home, for me, at least when it comes to writing, has always been in these other worlds, where I can best use the time that has been given to me to shine a blinding light onto the darkness.

  1. What was the hardest part of writing this book?

From a logistical standpoint, the hardest part was realizing that Deadmarsh Fey had to come first in the series. Until that realization finally sank in during the spring of 2014, I’d spent the previous year working on what would become the fourth book in Dwellers of Darkness, Children of Light. Writing this book first meant that I was trying to tell the end of the saga without knowing its beginning, which made for an incredibly frustrating experience. And yet I do not regret it, because what I wrote in that novel laid the foundation for all the legends and myths and conflict in this one. So, looking back, I see that it was necessary to go through this, since without that fourth book, Deadmarsh Fey could never have been written.

On an emotional level, the ending of Deadmarsh Fey was extremely hard for me to write. Over a three year period, I’d spent every day with Roger and company, and had grown incredibly attached to all of them…but not so attached that I would force them to act out of character just to please me. In the back of my mind, I’d always known how Deadmarsh Fey had to end, but the way it unfolded was not at all what I had been expecting and made everything that came before it so much deeper and more meaningful. This change of direction was due to a character showing me that his way was the only way things could be. And he was right.

  1. What was your favorite chapter (or part) to write and why?

There are four chapters that stand out in my memory as favorites. Now Face-to-Fey, Warnings and Visitations, Iron Reveals, and one I cannot mention the name of because it will spoil a story arc for not only Deadmarsh Fey, but book three in the series as well.

Now Face-to-Fey put my plotting to the test because it offered definitive proof that things were truly rotten at Deadmarsh. Up until this moment, deniability was still plausible for some characters (one in particular), but several plot points that had been simmering away for many chapters finally exploded in this one—and could no longer be discounted.

Warnings and Visitations sets up the conflict for book two, the story of Isobel Vickers and her family that I mentioned above. It was a complete joy to write this chapter, since I had been looking forward to doing so for over a year by the time I finally got to it.

Iron Reveals has a HUGE, well, reveal about the creatures bedeviling Roger and his family. In my imagination, this chapter had a different tone and feel entirely, but once I let the characters take over and do with it what they wanted, it turned out even more cohesive and startling than I could have hoped for. I also indulged in some serious schadenfreude  while writing this, since it was truly the first instance in the novel of the shoe being on the other foot, meaning that certain unsavory characters finally got a taste of what it felt like to be on the defensive.

And then there is the chapter that must remain nameless for now. This final favorite will always be special to me because everything in it came together in a seamless and unsettling way. And quickly, too, which is always a plus! That it takes place in a library, and is bookcentric, was yet another reason I enjoyed writing it as much as I did.

  1. Did you learn anything from writing this book and what was it?

Deadmarsh Fey truly taught me how to let go and give the characters free reign. This probably sounds a little odd, but I’ve found that if you get the ball rolling for them, they tend to take over and make your job a lot easier. Not a cakewalk, mind you, because I still had to juggle several story arcs that needed to be resolved to make everything not only in Deadmarsh Fey, but the other novels in the series, come full circle. Yet it was exciting to get to work each day because I knew the direction the book had taken was the one that was meant to be.

The book definitely made me grow as a writer, as well, and showed me that it was important not to get too attached to scenes or any other pieces of writing (dialogue especially) to the detriment of the story. What didn’t work was cut, and the novel ended up being much better because I had gotten out of my own way and hadn’t tried to force things.

  1. It’s sometimes difficult to get into understanding the characters we write. How do you go about it?

I try to place myself in my characters’ shoes as much as is conceivably possible, attempting to see the world of the story through their eyes, and understand why they’d react the way they would in any given situation. Of course, you can’t remove yourself entirely from the equation, but I strive not to influence their actions too much. Carver, Kip, and Incendiu, just to name a few, all went their own way, and while I do have a strong attachment to them, the greatest tie I felt when writing the book was to Roger. This was because of the range of emotions I experienced with him. As I said earlier, the entire book is told from his viewpoint (third person), and because of that, I felt like I became Roger in this story. I experienced things along with him, which meant that everything he endured, everything he felt—pain, fear, excitement, terror, disillusionment, panic, elation—I felt  deeply, too. It was simultaneously exhausting and rewarding. And made it very difficult to put him through the ordeals I had him undergo. Very difficult, yet not impossible, and I felt wretched afterward, but it was what the story called for.

  1. What are your future project(s)?

After I finish the sequel to Deadmarsh Fey, I will be working on the next two novels in Dwellers of Darkness, Children of Light. All the books already have titles, but these are rather sensitive, so I’m holding them in reserve till I announce the publication of each novel.

  1. If you couldn’t be an author, what ideal job would you like to do?

I used to want to be a marine biologist, and would have pursued this path, if a certain wizard with a long grey beard and big pointy hat had kept his words of wisdom to himself. I blame my decision to become a writer on Gandalf the Grey (as portrayed by Ian McKellen in The Fellowship of the Ring), who got to me as an impressionable sixteen year old in the winter of 2001 as I sat, awestruck and enraptured, in a darkened theater and heard him speak this iconic line to Frodo:

“All we have to decide is what to do with the time that is given to us.”

Right at that moment, I made my decision, and have never looked back.

  1. What is your preferred method to have readers get in touch with or follow you (i.e., website, personal blog, Facebook page, here on Goodreads, etc.) and link(s)?

Readers can contact me through my Web Site. And also Twitter and Goodreads

Additionally, Deadmarsh Fey is available across all Amazon sites in paperback and Kindle editions.

Amazon.com

Amazon.co.uk

Best wishes,

~Melika

 

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The Darkness Within–Excerpt

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Posted by Melika Dannese Hick in Book Spotlight, Deadmarsh Fey, Excerpts, Fun Stuff, Missives, News, Updates

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Taken from Deadmarsh Fey, Chapter 2

 

“What happened?” Lockie whispered, as shakily as if he didn’t trust his own voice.

“You tell me,” said Roger. He kept his arms wrapped around himself, afraid he’d fall apart if he broke his hold.

“What did I say?”

It wasn’t so much what you said as what you did, Roger thought, but didn’t have the courage to speak this aloud to Lockie. “I haven’t the foggiest,” he said instead. Let’s get that ironed out first, and then we can talk about the other person inside of you. “It was gibberish. Something about hearts and bone and someone called Blood Wood. Where’d you get all that, Lockie? What have you been filling your head with?”

“Must have been a nightmare.”

“When you’re awake?”

“It’s happened before.”

That was troubling. And it made Roger’s mind up for him. This was life and death now. He knew what had to be done, and he didn’t give a fig if Coffyn had an aneurism when he found out. “That’s it. I don’t care what your parents say, or anyone else, for that matter. That place is poison, and I’m getting you out of it. You’re being ruined in more ways than one, and if those nightmares began back there…”

“This didn’t start at Nethermarrow.”

Roger’s arms uncrossed and fell to his sides. “Then where did it start? Not…here?”

“I knew you wouldn’t understand. You’re too in love with this place to see its flaws.”

“Flaws? Deadmarsh? Rubbish.”

“Not flaws,” Lockie said, his brows furrowing so dramatically that they almost formed a solid, pale line across his forehead. “That’s the wrong word.” He was silent for a moment, eyes narrowing to slits. “Malevolence.”

“Don’t tell me you’re going to trot out the old ‘this house was built on an ancient burial ground’ sham again, are you? Which evil is it this time? Celts? Druids? Take your Pict.” Roger’s lips ticked up slightly at the edges. He’d used that dreadful pun before, but it was folly to expect his cousin to laugh at it now.

Lockie turned on him a look that froze Roger’s blood. “I’ve seen its other side. I know what lives here, what’s been slumbering for so long.”

A hollow pit opened up where Roger’s heart was supposed to be. “How would you know that?”

“I woke it up.”

cover

 

 

(C) 2017, 2018 Melika Dannese Lux

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Was it Jack the Ripper…or Vampires?

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Posted by Melika Dannese Hick in Book Spotlight, Corcitura Feature, Excerpts, Fun Stuff, Missives

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Taken from Corcitura, Chapter 10, The Ratliff Horror

Millionaire Philanthropists Found Dead

I snatched the paper off the tray and held it before my eyes, foolishly hoping the millionaire philanthropists of the headline were not the same ones I had been acquainted with since the days of my childhood. The headline danced before me, blurring in and out as I read over the words again and again, too scared to look at the report and have all my fears confirmed. Finally, I looked away from the headline and forced myself to read the article below.

London, Monday, 13 August 1888—Late last evening, David and Marishka Ratliff were found brutally murdered in their home in Westminster. Scotland Yard inspectors immediately questioned Mr. and Mrs. Ratliff’s servants and neighbors, but all were cleared of any involvement in the crime. The inspectors have noted that the modus operandi matches that employed in the murder of a woman, Martha Tabram, who was found stabbed to death in Whitechapel nearly one week ago. Although the authorities had ruled that the Tabram murder was an isolated incident, this new crime has made them reconsider. Do we have a killer in our midst? The authorities seem to think so. As with the former victim, the bodies of Mr. and Mrs. Ratliff were covered in stab wounds, but in this case, the killer has added an additional weapon to his murderous arsenal: slashing throats in a particularly savage fashion with what the Americans call Devil’s Rope. Upon further inspection, it was determined that Mr. and Mrs. Ratliff’s throats had been savagely ripped open by a piece of barbed wire. Authorities had thought the killer to be from Whitechapel, but in light of this recent crime in Westminster, it is feared that the murderer has taken up residence in this district and will begin to perpetuate more atrocities in this part of the city. They caution against widespread panic, but one cannot help wondering when the next ax, or piece of barbed wire, as we now have it, will fall.

I ignored the last line for the sensationalism it was and turned the page. A photograph of David and Marishka with Stefan as a child took up half the page and underneath it ran the following:

Mr. and Mrs. Ratliff were well-known throughout Europe for their care of and generosity toward Romanian orphans, many of whom they brought to London to be educated. They are survived by their son, Stefan, who was not home when the murders were committed and is not a suspect in his parents’ deaths. Mr. and Mrs. Ratliff’s only son and heir, who was overcome with grief when given the horrible news, has asked that we print the following in memory of his beloved parents:

In Memoriam

As they were loved in life, so they shall be loved in death. They will be sorely missed.

“Sorely missed by everyone but you, that is,” I grunted, my teeth clenched in anger, my heart appalled by such blatant hypocrisy.

©2010, 2018 Melika Dannese Lux and Books In My Belfry®. Unauthorized use or reproduction of this excerpt without the author’s permission is strictly prohibited.

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Corcitura visits Because Reading is Better Than Real Life!

03 Tuesday Dec 2013

Posted by Melika Dannese Hick in Author Spotlight, Book Spotlight, Corcitura Feature, Excerpts, Fun Stuff, News

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Corcitura feature @ Because Reading is Better Than Real Life 12-2-13

Huge hugs and a big thank you to Michelle for having me back on her blog to chat about the origins of Corcitura! Think the vampire genre should have been staked long ago? Well, I beg to differ, and if you head on over to Michelle’s blog, you can read an article about how I wove werewolf & vampire mythology together to create an entirely new species of undead. And while you’re there, don’t forget to read a spooky teaser excerpt from the POV of Corcitura’s only female narrator!

Enjoy! 😀

All the best,

Me Sig!

 

 

 

 

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City of Lights Featured @ Because Reading is Better Than Real Life!

25 Monday Nov 2013

Posted by Melika Dannese Hick in Author Spotlight, Book Spotlight, Excerpts, Fun Stuff, News

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COL Feature @ Because Reading is Better Than Real Life 11-25-13

A colossal thank you to Michelle for featuring City of Lights on her wonderful blog! To find out how Ilyse’s story was born from a song, and to read a special “backstage” excerpt, just click on the screen capture above.

Enjoy! 😀

All the best,

Me Sig!

 

 

 

 

P. S. And don’t forget to keep in touch!

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Exclusive Excerpt: Madelaine and the Vampires

20 Sunday Oct 2013

Posted by Melika Dannese Hick in Author Spotlight, Book Spotlight, Corcitura Feature, Excerpts, Fun Stuff, Giveaway Announcement, Missives, News, Updates

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1888, 1894, 2013, ashes, barbed tongue, belfry, Belododia, best friends, blog, Blog Tour, bloggers, book, books, Books In My Belfry, browish-grey wolves, brutal, Carmilla, conversation with death, corcitura, creepy, crumble, damned soul, devil, Dracula, draculaesque, drugged, Eastern Europe, England, Eric, Eric Bradburry, Erin Al-Mehairi, Excerpt, exclusive, eyes of a wolf, fall, fall reads, familiar, fathers and sons, female vampires, filmy residue, Fin de siècle, first person present tense, forest, Friendship, gaslit, glowing, gone, good hunting, Goodreads, gothic, gothic novel, Grand Tour, Greece, green, grey wolves, Greydanus, halloween, Halloween reads, hand, historical fiction, horror, husband, hybrid vampires, if you love scary vampires, Kindle, kindle copy giveaway, kindle giveaway, Le Fanu, leaves, Leonora, Leonora Bianchetti, London, Luc, maddie, Madelaine Bradburry, Madelaine Dennison, Melika Dannese Lux, my son, novels, november reads, october 2013, october reads, Oh for the hook of a book, Polidori, pov, Prague, professor fertig, rafflecopter, rafflecopter giveaway, Romania, scary vampires, spout, Stefan Ratliff, terrifying, Upyr, vampires, vamps, Venice, Vladec Salei, Vrykolakas, werewolf transformation, werewolves, wolf, wolf infestation, wolves, woman, woods, writing, Zigmund, Zigmund Fertig

*drum roll* Well, here it is! I’ve been wanting to let Maddie have her say for the longest time, and, today, she speaks! Be sure to stop by Oh, For the Hook of a Book to read this never before released exclusive excerpt and “be there” as Maddie has a conversation with death and sees something familiar in the eyes of a wolf:

http://hookofabook.wordpress.com/2013/10/20/exclusive-creepy-excerpt-of-teaster-chapter-from-melika-luxs-corcitura-a-gothic-vampire-read/

And don’t forget to enter the giveaway before you leave!

http://www.rafflecopter.com/rafl/share-code/OTg4YjQzMDA1MjEzZWRlNTcyNmZkNjQyMzFkYjE2OjM=/

Best wishes,

Me Sig!

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Corcitura Excerpt #1: Meet the Lads

06 Wednesday Mar 2013

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Corcitura, Chapter 1, Beggars at the Gate

“Call me Penniless!”
       Oh, yes, Eric, that’s lovely. And what are you going to say next? Which way to the Pequod?
       I flung Moby Dick aside. Obviously, there was nothing between the covers of that book that I could lift and modify to suit my purposes. Maybe if I’d read more than the first five pages, I’d feel differently, but that kind of logic was neither here nor there.
       Time for round two. I grabbed one of the other novels I’d strewn across my bed. I hoped I’d have better luck with this one.
       “A grand tour won’t be a grand tour unless we’ve got gobs of money to spend.” Hmm…a bit patronizing, that. Thanks for nothing, Louisa, I thought, tossing Little Women across the room. This filching of famous first lines had seemed like a fabulous idea when I’d thought of it two hours ago, but I could see that it was getting me nowhere fast.
       Deflated, I reached for the last novel, my final hope for inspiration. Ah, yes, here we were. Jane wouldn’t let me down. I could never go wrong with her. “Ahem…It is a truth youthfully acknowledged that a young lad in possession of little to no fortune should want infinitely more than the lot he’s got. I know I’ve never given either of you any particular reason to trust me with even five quid, but let’s put that unfortunate past history behind us, shall we? After all, you must spend a little to reap great rewards, right? Well, that being said, Mother, Roddy…how about you extend to me those three hundred pounds?”
       Botheration! Not even plagiarizing Jane Austen was going to get me what I was after. That tack was all wrong. Roddy was like clay; he needed to be pummeled till I got him into the right shape—the giving shape, which would take some work, since he’d always treated me more like a poor relation to be tolerated than a stepson.
       I swung the mirror back up and straightened my necktie, then thought better of it and mussed the cloth till it hung at a suitably dissolute angle. There was no need to look modish when I was about to go begging. I was deluding myself if I thought this was going to be easy. Even after practicing for months, the approach was still lacking, and I’d run out of ideas. I had no idea how we were going to convince our parents to give us the money, yet we had already gone too far to quit now.
       Seven months ago, Stefan Ratliff, my closest friend since childhood, had hit upon the scheme of using a grand tour as a cover for our own exploits. Educational pursuits were fine for the average man, but we two saw this as an opportunity to indulge in as many extravagances as possible as we tramped from one capital of Europe to the next. It would be a final lark before we said farewell to youth and became men of the world that fall, at which time Stefan and I would both become inmates at Oxford.
       Only now did I realize that Stefan had somehow passed the baton to me without my knowing it, putting the onus on me to prove the soundness of this venture to our parents. I was the one who had to do the coaxing. I was the one who would be offered up as the proverbial sacrificial lamb. Imagine having to tell Roddy that this grand tour was the best idea since the Reform Act of 1867. No wonder Stefan balked. Still, it was a rum trick if there ever was one. I’d make sure to get back at Stefan soon, once we were underway and far from home, of course. There’d be no sense in murdering him outright, not with all the scandal it would cause in the papers. I’d wait till we reached Paris, then do away with him in the Tuileries Gardens and blame the murder on the ghost of Robespierre.
       So cheered, I sat down on the edge of the bed and mulled over my misfortune. I wasn’t as preoccupied with getting my parents’ consent to travel abroad as I was with convincing them to lend me capital. Money had always been my chief problem.
       My association with Roderick Caldwell had begun ten years ago when my mother, Laura, took it into her head to marry the man. What possessed her to make such a hash of our lives, I will never know, but there was no denying that Old Roddy was well loved and loved just as ardently in return, where Mother was concerned at least. The picture of connubial bliss would have summed them up nicely. Roddy was a fine catch and Mother was the belle of her set, although a widow, but he was willing to overlook this trifling detail. If you were to poll the citizenry, the results would show that Sir Roderick Caldwell was an upstanding citizen, a model husband, and adored by all.
       Quite a lot of rot, that, but it wasn’t for the “fly in the ointment,” namely me, to say at the time. I was only eight years old and my job was to be neither seen nor heard, except when I was trotted out on special occasions to do my stepfather credit.
       There were times throughout the last decade when I had often wondered if Charles Dickens had used Roddy as the model for Ebenezer Scrooge, but I suppose, if I were pressed to admit it, that I was being too hard on the old man. He was generous to a fault with his own causes, but when it came to me, he suffered from what one might call extreme tightfistedness. Yet Roddy was by no means suffering from want. There was the house in Mayfair I shared with Mother and him, for instance, that was certainly not a hovel, and then there was his little villa in the South of France, not to mention the pension in Corfu, though he claimed that really was more of a business investment. Ha ha, it is to laugh.
       Still, none of this mattered when The Stepson reared his head. I remember once asking Roddy for tuppence to buy some Turkish Delight and receiving instead a lecture on the wastefulness of the English youth in today’s modern world. Not quite what the average school-age boy wants to hear when he asks Papa for some lolly to buy a sweetie.
       Things hadn’t changed much over the last few years. Though Roddy grew a shred fonder of me, he kept my allowance to a rather bare minimum, based on his opinion that I was a wastrel and would most assuredly spend his “hard earned” wealth on drink and depravity. I suppose he was still sore about the tuppence incident. His was an entirely baseless surmise, mind you, but, since he was Mother’s and my only means of survival, I was forced to bite my lip and keep trudging through life on two bob a week.
       Try as we might, though, the prospect of embarking on a grand tour was something Stefan and I were unwilling to give up without exhausting every option. Today was already the twelfth of June, and the time was ripe for us to seize our chance, carpe diem and all that palaver. We could no longer afford to keep putting the scheme off. I knew that if we were to have any hope at all of setting out before month’s end, we would have to act this very night, which was why we were planning to wine and dine The Older Set (on Stefan’s allowance, of course) that evening at the Café Royal.
       After the second course, I would rise from my seat, raise my glass in toast, and spout forth a torrent of arguments so convincing that by the time I had ceased and earned a round of thunderous applause, Roddy would fall to his knees and beg me to take the money off his hands. Maybe I was putting a little too much faith in my oratorical skills, but one must be optimistic. Besides, if I ever hoped to make it to those hallowed halls of Parliament one day, I could hope for no better person to practice on than the one-man Inquisition that was Roderick Caldwell. Compared to my stepfather, Torquemada was a cream puff.
       The clock on the landing read a quarter to eleven by the time I made my way downstairs. I was mentally re-rehearsing my arguments for the thousandth time and was so absorbed in my thoughts that I didn’t realize Stefan and our parents had already gathered until I was nearly halfway into the drawing room.
       I glanced at Stefan. He looked like a lit Roman Candle, his shock of red hair swept up into a Brutus style that had died out of fashion more than sixty years ago. I had a mad urge to grab the fireplace poker and jab him in the ribs. Anything to get him to show some emotion. His face was unreadable, so that I wasn’t sure if we were winning or had already been soundly defeated. The fact that he was avoiding my eyes didn’t do anything to calm my nerves, either.
       All four of our parents were silent. Mr. Ratliff was leaning over his tented fingers. Mrs. Ratliff idly stirred her tea. Mother sat up much too straight in her chair, and Roddy, well, Roddy was worst of all. He was standing with his back to the hearth. His eyebrows were raised, his eyes fixed on a water stain on the ceiling. I knew that look. And I knew what would happen if I didn’t do something to keep him from travelling down that moral highroad he was so fond of traversing.
       So I did the only natural thing. I started blubbering like an imbecile. “I, for one, think it would be a grave error in judgment to deny us this opportunity. Lord knows we are mature enough!” I piped up, my voice sounding like the squeal of a baby who has just been tipped out of its pram. “Think of the good this journey would do myself and Stefan. Why, we would come back practically self-sufficient men of the world, ready to take London by storm!”
       All their faces still wore that vacant expression, although Mrs. Ratliff’s showed the most signs of life. She’d always liked me, I thought, so I ran to her first, divested her of her teacup, and shoved my hands into hers. “After all, we are the future of England, and let it never be said that the British were not magnanimous when it came to expanding the cultural and educational horizons of their youth.”
       Nothing had gone according to plan, but I was certain I had presented my points well…or as well as could be expected, given the circumstances. To my horror, Mrs. Ratliff began to laugh. It started out as a little melodious chuckle, one I had grown accustomed to hearing over the years, then burgeoned into something very near a guffaw. I looked around the room and saw that not only did Mr. Ratliff and my mother share in her mirth, but wonder of wonders, Roddy was laughing, too! This was indeed a day for firsts.
       “Mrs. Ratliff, I…”
       “Eric, you fool, please. Less is more.” The relief in Stefan’s voice made me suddenly hopeful. My brow furrowed in confusion as I looked at him, for he began to laugh, too. Why the devil was he laughing if all our plans had crumbled around our ears? I knew then that we had won, but our victory had been attained through no efforts of my own. Rather, it had been secured before I had even entered the room. And I had been a complete and utter fool to worry.
       “Oh, Eric, dear,” Mrs. Ratliff said, patting my hand. “I think this idea of a grand tour is marvelous. And I am so pleased that you and Stefan will be expanding your tour to include Romania, my homeland.”
       “Don’t forget Austria-Hungary, Mother,” Stefan chimed in, giving me a wink. This little extension of his was news to me. I began to wonder what else Stefan had promised our parents in order to get his way.
       “Of course, my love. Eric,” she said, rising.
       “Ye…Yes, Mrs. Ratliff?” I responded, rather groggily. I was still stunned by the sudden turn of events.
       “Your parents and Mr. Ratliff and I have been conferring, and we all believe that you and Stefan would benefit greatly from this grand tour. We will make all the necessary preparations for the two of you to set out on the twenty-first of this month.”
       I stared at the woman, and it would not be a falsehood to say that I gaped, for this news was beyond wonderful. How long I stood in this manner I cannot say, but when my mother brought me back to consciousness, it seemed as though I had been gone for at least half the day.
       “Close your mouth, you fool,” she whispered in my ear. I did as told and presently found that she had placed a small blue envelope in my hands. “This is from Roderick,” she said, looking intently at the little parcel, “please try to spend it responsibly. Lord knows it’s probably the most you’ll ever get out of the old skinflint.”
       She motioned for me to put the envelope away in my waistcoat pocket, then returned to her seat. But I couldn’t resist the urge to see just how generous Papa Caldwell had been. I slid my fingers beneath the lip and pulled out a stack of bills, which, after a quick, discreet count, I realized totaled four hundred pounds! It was an exorbitant sum. Obviously, that blasted pension must have been a much more profitable investment than I had given Roddy credit for.
       I fingered the bills, counting them again to be sure. My heart pounded faster as I ticked them off one by one, but I had not been mistaken.
       This generosity was beyond anything I had ever dared to hope for. I was not even expecting a hundred quid from the old blister and had resigned myself to being the “poor relation” of our duo, living off Stefan’s wealth for the duration of the tour, but old Roddy had come through in the end in a way I never thought possible. Gone was my resentment over the Turkish Delight. Nothing could mar my opinion of him in that beatific moment, not even the thought that he might be giving me such a large sum of money in the hopes that I would be suspected of robbing the Bank of England and end up getting locked away in some foreign jail. No, I would not countenance such evil notions. Roddy had changed—he was human after all.
       I stuffed the bills back into the envelope and looked upon Roddy in open adoration. Such unaccustomed attention from his stepson must have made the old coot uncomfortable, for he began to fidget and look behind him as if he thought my adoring gaze was meant for the clock above the mantelpiece.
       “My dear, dear father,” I said, clasping my hands about his. What was the world coming to? Not twenty minutes before I had been lamenting ever crossing paths with this gentleman of sterling character. Eric Bradburry, you’ve been a fool. I continued to shake Roddy heartily, all the while chuntering on about his generosity in a stream of words that I’m certain made absolutely no sense to his ears, much less my own.
       “All right, all right,” he said, extricating himself from my hold. “That’s enough of that. It is my sincere hope that you will use this money wisely and not waste it on frivolity.”
       “You need have no fear of that, Roderick,” I replied, in what I hoped was a sincere, man-of-the-world tone of voice.
       A chuckle from Stefan’s corner brought me to my senses. I cocked an eyebrow at my coconspirator. And that’s when I heard Roddy clear his throat.
       Oh, Lord. I knew that sound did not bode well for us. He must have uncovered a flaw, a chink in the armor. One word from him and our entire scheme would be shot to Hades.
       Ever since his brilliant success that morning, I had come to think of Stefan as a second Wellington at Waterloo, so it was unfathomable to me to even entertain the notion that he had not taken into consideration every objection my stepfather could possibly make. I was puzzling over just what these objections might be, when Roddy began to speak.
       “There is one thing that gives me pause, though. The absence of guides. Now, I could arrange…”
       “Oh, of course we will have guides, Mr. Caldwell!”
       Guides?! Since when had Stefan arranged for us to have guides?! Another shock like this and I would have to be taken to hospital. He knew full well we intended to take up with whatever local cicerone we could find, and that only when necessary. After all, going it alone was half the adventure, until the language barrier made guides a must. In truth, though, I doubted we would need the guides. My smattering of languages, not to mention my trusty Baedeker travel guide, would see us through France and Italy just fine, and Stefan’s native knowledge of Romanian would allow us to journey through the Eastern European countries as easily as if we had been locals. I was about to protest this plan, until I caught the warning glance Stefan shot my way.
       “Yes,” he continued, turning his attention to Roddy. “I took it upon myself to contact Father’s associates in each country, and they assured me that we will have guides waiting at our beck and call the minute we set foot on foreign soil. There is no need to worry about anything.”
       The speech was a little too confident and a trifle cloying, but it served its purpose.
       “Well, then,” Roddy said. He looked at my mother in bewilderment, then seemed to realize the futility of objecting any further. His shoulders sagged a bit, but he recovered himself before anyone else had a chance to notice this momentary display of defeat. “I suppose all that is left to say is Godspeed.”
       “Godspeed!” Stefan and I answered simultaneously. If our smiles could have been any broader at that moment, I believe our faces would have split in two. I slapped Stefan on the back, still unable to believe we had won.
       “How in the world did you pull it off?” I asked. “And since when did we decide to go to Eastern Europe?”
       He nodded toward the doorway and motioned for me to be silent until our parents had left the room.
       “That, my dear boy,” he replied, his eyes gleaming in triumph, “was the key. You know money was never a problem, my parents being millionaires and all. The real trouble was convincing them it was a sound venture. And that’s where good old Eastern Europe came in. I knew my mother would be absolutely giddy if she knew we were going to visit the country where she and I were both born. So I just happened to mention that we were thinking about stopping over in Romania for a day or two. And there you have it. Simple, really, don’t you think?”
       It must have been my day to gape like an idiot, for that was what I was reduced to once more. I stared at Stefan, his face triumphant, then burst out laughing.
       “Bravo, lad, bravo! A stroke of genius! Now, if I may make a suggestion? Let’s stop standing here congratulating ourselves and start packing for this grand tour!” And with that, I shoved him into the hallway and left him to his own devices. I still had a lot to work out before I could relax. I’d never been as cavalier as Stefan about life changing events. My head was still spinning from everything that had happened. It was so impossible to believe we had succeeded. But as I began taking the clothes out of my wardrobe, the truth finally sunk in.
       In nine more days, Stefan and I would set out on the grandest adventure of our lives.

*

On the twenty-first of June, Stefan and I stood on the deck of the Erinyes, the ship that would guide us away from Dover and across the Channel. Our parents were somewhere down on the quay amongst the throng who had gathered to see us off. I peered down into the crowd, searching for their familiar faces, but all I could distinguish were dozens of arms waving handkerchiefs and flags.
       Stefan was about ready to burst from anticipation. He had given up looking for our parents long ago and was instead gazing across the opposite side of the ship toward where the coast of France was waiting to meet us. I smiled as I looked at him. I knew what he was feeling. It was a giddy sensation, setting out on your own for the first time. Here we were, Eric Bradburry and Stefan Ratliff, two intrepid young Englishmen ready for whatever life had in store.
       “Finally free. And about time, too.”
       “Sorry?” I asked.
       “I thought we’d never get away from them.”
       “That’s not like you,” I said. He’d looked nothing like his usual, jovial self when he’d said that.
       “Maybe it is and you just never knew it.”
       “What an odd thing to say,” I ended up saying to his back, since he’d turned and seemed to have forgotten I was there. Bother Stefan; he was being enigmatic again. He’d been acting like this a lot lately. I didn’t know why, but it unnerved me. Still, there was nothing I could do about it, and frankly, I didn’t want to. I was too excited to care about his changeable moods at that moment.
       A thundering blare erupted from the smokestack above us. I leaned over the rail and saw the gangplank being drawn up. My heart thudded against my chest. Now it was my turn to feel as though I would burst.
       “This is it!” I shouted above the din to no one in particular. “Paris awaits!”

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Corcitura Excerpt #3: The Vrykolakas Attacks

11 Monday Feb 2013

Posted by Melika Dannese Hick in Excerpts, Fun Stuff

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Tags

Acropolis, attack, barbed, barbed tongue, barbs, bear, beast, berserk, best friend, blood, bloodlust, brothers, corcitura, courage, cowl, darkness, defiance, den of iniquity, engorged, Eric Bradburry, Excerpt, foul, gouges, Greece, haunter, hiss, hovel, Lazarus, matches, maw, Melika Dannese Lux, mocking devil, monsters, my brother, red-rimmed eyes, screech, shadows, shards, snake, sores, Sorina Boroi, Stefan Belododia, Stefan Ratliff, The Haunter of Darkness, vampire attack, Vladec, Vladec Salei, Vrykolakas, wax, writing, yowl, Zigmund

Taken from Corcitura, Chapter 6, The Haunter of Darkness

       The flames near the Acropolis had died. I cocked an ear, but didn’t have to strain this time, for there were no longer any revelers at the top of that hill. Stefan must surely be back by now, unless Sorina Boroi had spirited him off to yet another den of iniquity.
       I retrieved my key from my pocket and slid it into the lock. When I tried to push against the door, it held fast. “Stefan,” I called out. “Stefan, are you there?” I asked a minute later. Still, there was no answer.
       I shouldered my weight against the door again. Nothing. It had been jammed.
       I was ready to try the hole that served for a window at the back of the hovel, when I heard a sound coming from within—a low sibilant sound, like the hiss of a snake…a very large snake.
       Stefan was in there with that snake. A boa constrictor, an anaconda—whatever other foul kind of snake that was indigenous to Greece could have been in there strangling the life out of him.
       I jangled the lock, making a terrific noise that surely must have caught its attention—drawn it away from Stefan and turned it toward me. But nothing happened.
       Then I heard the sound again. This time it was different, more defined, almost human—a low, rasping voice, sounding as though it were struggling to speak, as though its vocal chords had been damaged and it couldn’t talk above a whisper.
       I tried to swallow. My mouth felt as though it was full of sand. I pressed my ear against the door and heard the voice hiss a name…Zigmund.
       A gurgling sound snaked through the wood beneath my fingers. My hands clenched, causing splinters to embed in my skin. I could care less about the pain. My only thought was that this couldn’t be happening.
       Snakes could not laugh.
       Stefan was in there with that horror, that gurgling horror, whatever it was.
       I threw my weight against the door and it gave way. The blackness disoriented me; the room was so dark, I couldn’t see a foot in front of my face. Not even the moonlight pierced through the window on the other side of the room.
       I took a step forward. My foot knocked against something on the floor—something that gave off a low moan. Startled, I sprang back, colliding with the overturned crate that served as a night table. The din that erupted was enough to wake the entire village. I slid to the floor, trying to conceal myself behind the crate, but the creature either did not hear the noise or was too busy to care.
       I reached up my trembling hand until my fingers closed around the neck of the oil lamp resting on the crate beside the bed. Slowly, carefully, I settled the lamp next to me, then reached up once more in search of the matches.
       There were none.
       Lovely. They had been there that afternoon. Where the devil had they gone? I was ready to give up, but then I realized they might have been knocked to the floor. When I stretched out my hand, one of the matches snapped beneath the weight of my probing fingers.
       The snuffling above me ceased at once. My arm remained stretched out. If I tried to move, the rustling of my clothes would give me away. This was an entirely new problem. The thing seemed not to care about loud sounds, but make the tiniest of noises and it would go berserk.
       I could hear it moving…coming closer…leaning down from its perch on Stefan’s bed. Stefan’s bed! He couldn’t still be in it? The thing on the floor…no, that was definitely not Stefan.
       A gust of hot air was expelled against my arm. I had to bite my lip to keep from choking. The stench of the thing’s breath was unbearable—like the dead earth of centuries-old graves.
       There was no wind that night, but something was ruffling my hair. Oh, yes, that’s wonderful, I thought. The thing was sniffing inches above my head, but the room was too dark for me to discern anything. Why hadn’t it attacked me yet? Was it blind? The thought gave me courage, for if it was, I had an advantage, though the thing sounded as big as a bear.
       I slouched lower and drew my knees to my chest, trying to tighten myself into a ball. The match was between my fingers. I drew my arm in as slowly as I could. For some reason, the thing jerked away at that moment and went back to its incessant hissing, cooing over whatever it had trapped beneath itself in the bed.
       I didn’t know what I hoped to accomplish by lighting the lamp. I suppose I was counting on the thing being scared of light. Whatever happened, I had to know what was there, no matter what, yet to strike the match and light the lamp before being seen was surely impossible. I had no weapon, save the lamp, which I already planned to hurl at the thing if the situation turned desperate. But what good would that do? Stun it for an instant, during which I would have to run like mad to escape before the thing realized it should be giving chase? Ridiculous.
       As if it had read my thoughts, the thing began to laugh low in its throat.
       That decided me. This mocking devil would be unmasked now. No more waiting, no more fear.
       I struck the match, threw it inside the lamp, then wrenched the turner up as far as it would go and leaped to my feet.
       The light blazed forth so strongly I was blinded for a moment. I lowered the lamp to lessen the glare, and that’s when I saw what I was up against for the first time.
       It had started to screech—a terrible, high-pitched yowl—yet I was too petrified to run and could do nothing but stare at it in horror. It must have been a man at one time, but now it was plague-ravaged beyond distinction. Although it was still screeching, its tongue seemed to have a life of its own. The barbs encircling the tongue lashed against the thing’s face with each jerky movement—puncturing holes in its cheeks from which blood dripped forth. I swallowed hard to keep the bile from rising in my throat, but still I could not turn away.
       Sores split the death white skin of its face. There was a bulge underneath the cloak where its stomach should have been, a bulge that was much too large. This was not fat. The thing was engorged and had most probably just fed—on whom, I did not even want to venture a guess.
       Red-rimmed eyes stared out from that pale mask that looked more like a skull than a face. The cowl of its cloak had fallen back to reveal a baldpate with more of the same oozing gouges. They weren’t as fresh as the ones on its face; something must have stabbed it in defense during an attack some weeks ago. But from the way the tongue lashed and whipped about, I suspected that the creature, in a moment of desperation, must have been driven mad by its own bloodlust and inflicted the wounds on itself.
       I swung the lamp toward the creature’s face; it screeched and reeled backward, tumbling off the bed.
       And that’s when I heard Stefan groan. He had been on the bed…being crushed to death underneath the monster’s weight.
       Madness and terror took hold. I threw the lamp at the thing’s head. There was a burst of flames and a horrid scream as the lamp shattered against the creature’s face. Shards of glass imbedded in its head, its flesh hanging in strands. A huge piece of the glass protruded from its cheek, which was bubbling underneath the flames like melting wax. Nothing could have survived those injuries. The thing would surely collapse in a dead heap, but all my assumptions were wrong tonight. The beast yanked the shard from its cheek, and its skin began to change.
       The flames flickered then disappeared, seemingly sucked into the creature’s face. A ripple broke out underneath the ravaged surface…and then the skin stretched until it had grown taut over the wound. I blinked in disbelief, for the cheek had been restored—becoming as smooth as if there had never been an injury. The horror of this transformation was too great for me to fathom. Why should the self-inflicted gouges remain, yet the cheek I had nearly burnt off heal at will?
       I now had nothing left with which to defend myself. If the thing wanted me, it would get me. But I wasn’t going to let it attack Stefan again. If it wanted him, it would have to take us both. I balled up my fists and advanced.
       I don’t know if it was because it had used up all its strength to heal itself, or because it actually was as terrified of me as I was of it, but all the fight seemed to go out of the creature the moment I took that first step toward it.
       The barbed tongue shot out of its open maw. Was this a prelude to attack or one last show of bravado? The creature’s eyes darted to the right. Salvation was only a few feet away. I couldn’t cut it off from the opening in the wall, and the creature knew it. In one wild leap, the beast yanked the cowl down over its head and thrust itself through the window.
       I heard it screeching long after it had loped off. I had already wasted enough time worrying over something that I’d never, hopefully, encounter again. My concern was all for Stefan now.
       I leaned over him and tore open what was left of his shirt. Large, purple blotches bruised his torso. A thin red gash ran down the middle of his chest. On closer inspection, I saw that it was thankfully only a surface scratch. But still…
       I reached for his wrist, feeling for a pulse, but there was none. He couldn’t be gone. I refused to believe it.
       I looked around for something with which to revive him—water, sal volatile, spirits, anything—but there was nothing in this blasted hovel.
        “Stefan, Stefan!” I shouted, shaking him by the shoulders. “Wake up! You are not dead, do you hear me?! You are not dead!” I slapped him. Nothing I did produced any signs of life in him. Hot tears burned my eyes, but I refused to give in. Not yet. Not now, even though I knew the battle had been lost and my best friend was gone.
       I pounded his chest, trying to revive his heart, but that didn’t work either. My hands shook uncontrollably as I tried to lift his body. What was I hoping to do, raise Lazarus from the dead?
       I’d come too late.
       I released my grasp and let him slump down upon the pillow.
       He couldn’t be gone. He wasn’t supposed to die, not like this at any rate. How could he go now before we had even had a chance to really live? I shuddered, for wasn’t that what had caused all our trouble? Our desire to live? To forsake all caution and strike out on our own? I choked on the sob in my throat. Now my brother was dead…what good was freedom if it got you killed?
       I felt nauseous. My reason was slipping away. I couldn’t lose control now, yet what need had I to keep up the pretense any longer?
       I was alone.
       I turned away from the lifeless body of my best friend and buried my face in my hands.
       Tears had been blurring my vision and streaming through my fingers for what seemed like an hour before I heard the sound. I thought the creature had come back, but then I heard him gasp and felt his hand latch onto my arm.
        “Eric…”
       Stefan was alive! I was so relieved, I didn’t consider how drained of energy he was and crushed him in an embrace that would have snuffed out the rest of his life had I not realized what I was doing and released him before more damage was done.
        “What happened? What the devil was that thing?”
        “I have no idea,” he said, barely above a whisper. “We had come back from the revel at the hill and had just entered when there was a knock at the door. Of course, we didn’t know who it could be, so we did not answer. Then there was another knock and a voice…a voice…” he faltered and broke off.
        “Go on,” I coaxed.
        “A voice, Eric, too horrible to describe…a voice that hissed ‘Zigmund’ over and over again. ‘Zigmund,’ ‘Zigmund,’ always that dreadful name. Sorina wanted to fetch Vladec, but there was no time. We bolted the door…it was already too late. It knew we were inside. The window…we forgot the window…I tried to fend it off, but it knocked me unconscious, and Sorina…Sorina…God, Eric, where is she?!”
       He bolted upright in bed, but immediately collapsed for lack of strength. It was at this time that I noticed a trickle of blood near my foot. A rivulet, streaming down a hill. The hovel was on an incline. Why had I not noticed this before?
       I struck a match and lit the lamp on the opposite side of Stefan’s bed. Light flashed into the gloom. My eyes followed the stream of blood, the light in my hand revealing all.
       I nearly retched when I saw what the shadows had kept hidden.

©2010, 2013 Melika Dannese Lux and Books In My Belfry, LLC. Unauthorized use or reproduction of this excerpt without the author’s permission is strictly prohibited.

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City of Lights Excerpt: Diva in the Wings

04 Friday Jan 2013

Posted by Melika Dannese Hick in Excerpts, Fun Stuff

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1894, Cabarets, city of lights: the trials and triumphs of ilyse charpentier, Dancing, Excerpt, Fin de siècle, France, Friendship, Ilyse Charpentier, Manon Larue, Melika Dannese Lux, Paris, singers, writing

(For future reference, this excerpt will be permanently housed under its corresponding tab.)

Taken from City of Lights: The Trials and Triumphs of Ilyse Charpentier, Chapter 1, A Chance Meeting

       The balmy night air of August had served to fill the halls of La Perle de Paris to capacity once again. Not a seat was unoccupied, save one quiet table in a secluded, unlit corner of the club—a table that was always reserved. The chants had commenced long ago, a gradual build from a quiet murmur to a dull roar—“Coquette, Coquette, Vive la Coquette!” The raucous mob wanted their star, and in a moment, their hunger would be satisfied.
        “Ten minutes, everyone!” a burly man bellowed, pushing his way through a mass of tulle and silk. He made his way down the backstage corridor until he came upon a solitary girl stealing a peek through the Tyrian purple-hued curtains.
        “Ten minutes, Ilyse, get ready!” he ordered.
        “Yes, Giverne,” she returned, smiling, and watched as he huffed down the hall. In a moment, her olive-brown eyes were once again fixed upon the throng, and she resumed rehearsing her lines. “City of Lights, Paree, do you see?” she sang, “I am the Diva on the stage. Hope—” But her soft chanting was suddenly interrupted by a wild flurry running down the corridor. In an instant, the commotion materialized into a profusion of blonde tendrils, which framed a pleasant round face and a pair of large, over-bright blue eyes.
        “You’re late, Manon,” Ilyse said, trying to sound reproachful as she addressed the frazzled young woman.
       The girl panted stertorously while she tried to straighten her costume and smooth her unruly curls. “Well, you know how it is. Wardrobe problems.”
        “Yes,” Ilyse answered, a knowing smirk playing about the corners of her mouth. “I know exactly how it is … too much chocolat, no?”
       Manon stopped her primping and looked up at her dearest friend. “I can’t help it if I have a sweet tooth!” she blurted out. “Now stop all this nonsense and fasten me up, will you?”
        “Oh, very well,” Ilyse laughed, and abandoned her post to come to her disheveled friend’s rescue. “Now, hold it in.”
        “I can’t,” Manon squeaked.
        “Well, that’s because you’re not wearing your corset.”
        “Never!” Manon retorted as if someone had just accused her of killing Marat. “I can’t wear that monstrous thing. It crushes me terribly. And what’s more, I can’t even breathe with it on.”
        “No one ever said beauty was painless, darling,” Ilyse said, not having any luck in her struggle to hook the fasteners on Manon’s dress.
        “Well, this beauty will go without!”
        “Then it’s hopeless.” Ilyse sighed and released her hold on Manon’s costume. “You’ll have to play ‘Sourd et Muet’ tonight.”
        “Ah, ma foi, such is my fate.”
       For a time, silence reigned, each girl fighting not to be the first to laugh. Finally, as always, Ilyse was the first to break. “Oh, stop playing the martyr, you ridiculous fool!”
       Manon made a lavish bow and struck a theatrical pose. “Don’t you think we should use that in the act?” she suggested, her large cerulean eyes widening expectantly.
        “Oh, most definitely,” Ilyse acquiesced, still laughing. “If only we can get Giverne’s permission.”
        “Forget it, then. Now, enough about Giverne. Is my Marquis out there?”
       Before Ilyse had time to stop her, Manon had pulled back the curtain and poked her head into the hall. “Oh, I see him, the darling,” she cooed, spying her Marquis and flailing her bejeweled hand through the air in a gesture that was meant to be a wave but never amounted to more than a flash of rubies and emeralds.
        “Don’t wave at him, you fool!” Ilyse whispered, and just as she said this, the glare of the candlelit hall vanished and Manon found herself staring at a suffocating wall of purple velvet and her friend’s less-than-pleased face. “Discretion, Manon,” Ilyse reminded, fighting to repress the smile that was threatening to destroy her facade of seriousness, “discretion. We are not to be seen or heard until our grand entrance. How do you expect to keep the Marquis interested?”
        “I suppose that’s true,” Manon agreed. “But I couldn’t help taking just one peek.” Ilyse smiled at her impish friend and noticed that Manon’s irrepressible dimples had appeared—a certain sign of trouble. Whenever those two little indentations arose, Ilyse knew she had to do something to damp Manon’s mischief or there was no telling what social atrocity, however hysterical it might seem in hindsight—and there had been many—her friend might commit.
        “If you’re so interested in peeking, my little sprite, then I have a wonderful surprise for you.”
        “I love surprises!” Manon answered with glee.
        “You’re going to adore this one. Now, if you really want to peek, you must do it like so.” Ilyse took hold of Manon’s hand and drew back a corner of the curtain so that only a sliver of light shone through. “Look who’s here.”
        “Where, where?!” Manon squealed, her eyes roving over the crowded room.
        “Why, there in the back. If it isn’t Gaspard and his troupe of provincial darlings! Oh, what fun it will be for you to dance with them. And look! That fat one in the front has seen you! Oh, wave, Manon, wave and show him your smile! Make that Marquis of yours insanely jealous!” Ilyse uttered a musical little fake-laugh and gave Manon a playful shove.
       Manon let the curtain fall from her grasp as though it had singed her fingers and stared at Ilyse. “I find your humor lacking, Ilyse” Manon said sourly. “The last time I danced with Gaspard’s band of ruffians I couldn’t walk for a week and my feet will never forgive you for pushing me into that rustic’s arms!”
        “Oh, come now, Manon,” Ilyse laughed, “It’s my job to liven things up a bit, too. I can’t let you and your dimples have all the fun.”
        “All right, all right,” Manon said, rising to the challenge, “Well, I saw my Marquis, and I saw Gaspard and his bumpkins, God save my feet, but I didn’t see him.”
       The instant Ilyse heard this word, all her previous mirth vanished and a terrible mix of anger and fear roiled within her. “Sergei?”
        “No…No,” Manon stumbled. “Not him, never him. I meant your ‘one true love,’ of course.”
       Ilyse’s brow relaxed and her lips curled into a faint smile as she remembered the little secret she and Manon shared.
        “Oh, Manon, for the five years we have known one another, you’ve never missed an opportunity of showing me how hopelessly naïve I actually am. Well, who’s to say he’s not out there? What harm is there in hoping, however futile the hope may be? This nightly ritual is my escape. Don’t begrudge me this little reprieve.”
       Manon, usually so effervescent, seemed crushed by her dearest friend’s accusations and blushed with shame. “Ilyse, I’m sorry. I wasn’t thinking. I never meant to make light of your feelings. Don’t hold it against me, ma soeur, don’t.”
       Regardless of what had passed, Ilyse was incapable of holding a grudge against her confidant and only friend. “I know you meant no harm, Manon. Forgive me for acting so maudlin, it’s just that I feel as though I can’t keep up this charade much longer. If I didn’t have you to make me laugh and be my one light in this darkness, I don’t know how I could’ve survived all these years. He torments me by day with his ceaseless advances, and at night, even while I’m onstage, he finds a way to invade my peace. He’s always there, waiting for me to give in. But I swear I won’t. I don’t fear him as I did before. My fear has been overtaken by anger and turned to defiance. I hate him, Manon. It sickens my heart terribly.” Ilyse lifted her eyes and saw Manon standing motionless, lost in thought. Though she didn’t say a word, Ilyse knew exactly what was racing through Manon’s mind, for she had heard it all before—the painful memories of the past that bore uncanny similarities to the existence Ilyse had described. But in Manon’s circumstances, unspeakable terror had never allowed defiance to surface. She had been an impressionable young girl, dreaming of stardom, allowing him to lead her down a path from which there could be no return. He had robbed her of her fortune, although he was richer than all the kings of Europe combined, and destroyed everything she held dear. She refused his advances, and when she tried to escape, he committed a crime so drastic that she was forced to keep silent or die. Luc Dagenais had been her one true love, and the innocent Provencal had been murdered simply because he had given her his heart—an unpardonable offense in the eyes of her jealous patron. And so the years passed, and Manon fell out of favor, replaced by Gervaise, Collette, Brigitte, and finally Ilyse, who had become his most favorite of all. She had stayed for her dearest friend, and also because La Perle offered her the only respectable means of survival—a cabaret where she could earn a decent living without selling her soul to the devil himself. So was the fate of Manon Larue.
       And Ilyse knew the vicious cycle would continue until she herself put a stop to it. But those were thoughts for another moment, for the public would not be kept waiting. The crowd was restless. Violent invectives were being hurled, if the mob were not satisfied, chaos would break loose. The star’s time had come.
       Giverne blustered through the line of dancing girls, nearly stampeded Manon into oblivion, and snatched Ilyse by the arm. “You, now,” he boomed, “get onstage!!!” And before she had time to blink, he had already begun to raise the curtain.
        “Bonne chance, Ilyse!” Manon squealed, but her voice was drowned by the crowd’s rabid cries.
       La Petite Coquette had arrived!

©2005, 2013 Melika Dannese Lux and Books In My Belfry, LLC. Unauthorized use or reproduction of this excerpt without the author’s permission is strictly prohibited.

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