1894, 2002, 2003, 2013, 25 of our 50 states, addiction, affinity for the islands, Agatha Christie, Air Jaws, Alexandre Dumas, Amy Bruno, and Hungary, and Sarah Rayne, Austria, background, Belgium, Blog Tour, bloggers, blood, Books In My Belfry, breaching, breaching great white, breaching sharks, brilliant, brutal and lawless world, C. S. Lewis, Cabarets, Camille, Can-Can, Caribbean islands, Cathedral Basilica of St. Augustine, Cecil B DeMille, Charlotte Bronte, children's performing group, City of Lights, city of lights: the trials and triumphs of ilyse charpentier, classical, classically trained, Colette, corcitura, Count Sergei Rakmanovich, Creative, Currer Bell, dance of romance, Daphne Du Maurier, demimondaine, director, Discovery Channel, Downton Abbey, dystopian, email, England, entertaining, Eric Bradburry, Erin Al-Mehairi, Facebook, family saga, female vampires, Fin de siècle, first novel, Florida, forbidden love, fourteen, France, Friendship, Galop Infernal, genre hop, Georgette Heyer, Germany, Goodreads, Great White Sharks, Greece, Hanging by a moment, Hawaii, Hawaiian, Hawaiian blood, historical fiction, Historical Fiction Virtual Blog Tour, Home Rule, Hotmail, hybrid vampires, Ian McCarthy, Ilyse Charpentier, Incisive, Insightful, inspiration, Interview, Ireland, J. R. R. Tolkien, Jane Austen, Jane Eyre, JAWS, Jean Plaidy, Jurassic Park, King of Kings, life, life interruptions, Lifehouse, London, Louisa May Alcott, Magical, Manon Larue, marine biologist, marine biology, Maurice Charpentier, Meg Giry, Melika Dannese Lux, Mr. Whitey, Music, musical, Nigel Marvin, novels, obsessed, Oh for the hook of a book, operetta, original, Orpheus in the Underworld, P. G. Wodehouse, parents, Paris, personality, Phantom of the Opera, piano, Pic 'n Save, play, posters, POVs, Prague, pure magic, Quint, riveting novels of psychological suspense, Romania, Romanovs, Russia, Sea World, Sergei Rakmanovich, setting the scene, Shannon Hale, Shark Week, Sharks, shattered innocence, siblings, singers, soprano, South Africa, species name, St. Augustine FL, steel helms, Stefan Ratliff, stratified society, Switzerland, T-Rex, the Czech Republic, the inside story, The Painted Girls, Tollers and Jack, true love, Twitter, undead, unusual sharky abilities, Upyr, vampires, Venice, VHS, Victorian, Victorian literature, Violin, Vladec Salei, Vrykolakas, Wales, werewolves, wild card, Wilkie Collins, Wordsworth, writing, youth symphony orchestra, Zigmund Fertig
Our whirlwind tour for City of Lights comes to an end today…with a bang! 😀 Many thanks to the multi-talented Erin Al-Mehairi of Oh, for the Hook of a Book! for featuring me and City of Lights on her blog, and for asking such incisive and awesome questions! 😀
Exclusive and Magical Interview with Talented & Creative Melika Lux on Much More than Her City of Lights Novel
Today, we have a special treat because we have an exclusive interview with a very talented and sweet person, author Melika Lux. You can read my review of Melika’s book by clicking CITY OF LIGHTS. Our interview is VERY in-depth and you will marvel at Melika’s original personality, including how a trained stage soprano has such an addiction to Great White Sharks!!
I am pleased to have you stop by for a visit today, Melika! You sound like a fabulously creative person. How are you?
Melika: I am great, Erin, and thrilled to be here!
Erin: So happy! Let’s move on and learn more about you and your writing! Q: When did you first begin to write? What gave you the inspiration?
A: My love for writing grew out of an early love for reading. I think what led me to this point, what essentially caused the inspiration to germinate, was that my mother started reading to me when I was in the womb, and my father told me wild, not-exactly-verifiable tall tales while I was still in the cradle. I remember writing little stories and vignettes when I was a very young child and also staging my first play (an adaptation of King of Kings) when I was eight years old. The budget was nonexistent, so my family was conscripted into the production, with my dad and mom playing six parts each. I think that was when the writing bug first reared its head and bit me squarely on the heart. I felt a little like Cecil B. DeMille after that. There is a VHS of the play floating around somewhere. It is one of my first memories of writing.
One turning point I can recall was when I was about eleven or twelve. I wrote a very short story along the lines of Jurassic Park. It was about a brother and sister being chased to the edge of a cliff by a T-Rex. The kids gave the Rex the old “one-two-jump!” fake out and the dinosaur tumbled over the cliff. End of story—happily ever after for everyone except the Rex. But the point was that it was fun! I had actually finished something I’d set out to write! It was great, even though it was only six pages long! You have to start somewhere, right?
Q: What inspires you currently in your overall writing?
A: What began to stand out more and more to me as the years wore on, and what I think was the real reason I truly grew to love writing so much, was the freedom it gave me to be able to get lost in a different world. I love creating characters and their individual stories. Everything that a person experiences in his or her life affects the person they become and how they react to situations, so being able to explore this with my characters is something I am always eager to do—uncovering what motivates them, what drives their worldview, why they would make a decision in a particular situation, what makes them tick, etc. It is thrilling when characters develop so fully that they essentially start to write the stories themselves.
Currently, I’m most interested and inspired by trying out different storytelling mediums and POVs. My preferred method of telling a story is first person, but in my latest works, I’m using third person limited and also third person omniscient, which presents a whole heap of challenges! I’m also experimenting with short stories. You would think this would be easier, but I’m finding it an exciting challenge to tell a complete and gripping story in 40 pages or less rather than having a broad canvas (my last novel, Corcitura, was 700 pages long) on which to paint, essentially, the characters’ lives.
My last two novels were primarily historical fiction, City of Lights: The Trials and Triumphs of Ilyse Charpentier being an historical fiction/family saga set in Paris in 1894, and Corcitura being an historical fiction/supernatural thriller, complete with hybrid vampires, which takes place over the years 1888-1895 in locales across Europe and in Gilded Age New York. I have felt very comfortable writing in this era due to the fact that I read a tremendous amount of fantastic Victorian literature during my high school and college years and fell in love with the period. However, I am now transitioning into dystopian, horror, comedy, and fantasy. Talk about freeing! I no longer have to worry about when a word came into the vernacular! Huzzah! Besides that added bonus, I love to genre-hop and not confine myself to one particular time period. It keeps thinks exciting.
Q: Did your musical background play any part in your writing? Also, explain your musical background for our readers.
A: Definitely. I’ve been surrounded by music since I was born and have been singing, dancing, and playing the violin and piano since I was three years old. I was part of a children’s performing group for most of my childhood and was also a member of a local youth symphony orchestra from the ages of 8-18. In addition to singing throughout my community and state, I also performed the role of Meg Giry in a college production of The Phantom of the Opera. What a blast!
In regards to my writing, I draw a lot of inspiration from certain pieces of music, especially movie soundtracks and instrumental numbers, which I love to have playing in the background as I write. Currently, for the dystopian/fantasy novel I’m writing, I keep epic music/soundtracks looping at a low volume in my ear buds. It really spurs my imagination and helps when trying to strike the right mood in battle and intense scenes, especially when there are “creatures” involved.
For City of Lights, Hanging by a Moment by Lifehouse was a huge inspiration and a song I kept looping in the background as I wrote the novel: http://www.youtube.com/watch?v=ESWjziG5B54
To me, this song epitomizes Ilyse and Ian’s love story, and remains a favorite of mine to this day.
Q: Have you ever danced or been on the stage? If so, explain and if it helped in the writing of your book. What inspired you to write about a Parisian chanteuse in City of Lights?
A: Yes! As I mentioned above, I was part of a children’s performing group from the ages of 3-11. Additionally, I am a classically trained soprano. My most recent performance was in February 2012, at the Cathedral Basilica of St. Augustine, FL. You can view the entire concert or excerpts of my solos by clicking on the following link: https://booksinmybelfry.com/music/
Music has always been inextricably linked to City of Lights. The entire novel was actually inspired by a song. One night in December 2002, I was puttering around in my room when I suddenly started singing verses of a song I had made up in that moment.
“Tonight’s the last time that I’ll see your face, my love. This dreadful moment has finally come to be. Tonight the passion ends for you and me, my love. I’m traveling to a place where life will be hell for me…good-bye.”
My mind exploded with questions. Who was this girl? Why was she being forced to give up her love? Why would her life be so awful?
From that song, City of Lights: The Trials and Triumphs of Ilyse Charpentier was born. The song became Tonight, the lyrics directly inspiring the novel and making their way into a pivotal scene toward the end of the book. Now, the only thing remaining was a setting. I’m a singer, a Francophile, and a devotee of fin de siècle culture and literature, so the idea of Paris, a cabaret, forbidden love, and the added tension arising from my heroine being estranged from her brother (her only living relative) was too exciting not to pursue.
My grand plan all along was (and still is) for City of Lights to be a musical. In addition to Tonight, I wrote eight other songs that inspired further chapters and the overall story arc, the lyrics of those songs also being adapted into dialogue and scenes. Even though the musical is still on the distant horizon, the spirit of the songs thread through the entire novel. And in case you were wondering, the recordings are securely stored in an undisclosed location, waiting for the day when they will see the light once again.
In May 2003, at the age of eighteen, I began writing Ilyse’s story. Eight months later, City of Lights was complete, and another four years later, it was published. Now, it has been given a new look and is being made available to an entirely new readership!
Q: Myself, I love books and information on the late 1800s to early 1900s in Paris. The entire ballet scene and its behind the scenes drama can be an infuriating tale to tell. Apparently, women still endure the dealings of men pulling their strings so to speak. What interests you most about this time period? Any further thoughts on the performance industry?
A: I’ve been interested in the fin de siècle for as long as I can remember. I think I first became cognizant of how exciting this time period was when I was about 8 or 9 and had just learned to play Orpheus in the Underworld with my local youth symphony orchestra. The Galop Infernal in that operetta became, of course, the Can-Can theme. That piece stayed with me over the years and led me to do research when I got older. As I learned more about France and the culture surrounding the cabarets and dancehalls, I was hooked and became a confirmed Francophile. Since writing City of Lights, I have become increasingly interested in that whole milieu and have since read Camille (A brilliant and tragic novel about the lives of the demimondaine—highly recommended!) and a few novels by Colette. I’m always on the lookout for new reads from or about that fascinating time period when securing the right patron could either make you a star or confine you to the gilded cage, as was the case with Ilyse.
As for the performance industry, the main facet that I culled and incorporated into City of Lights was favoritism. Ilyse, although she is talented and the best singer to have graced the Parisian stage in years, is Sergei’s favorite. He “plucked her from obscurity” (a fact he never lets her forget) and made her a star. Without him, she most probably would have starved or been forced into a life of squalor, but given how controlling and suffocating Sergei’s hold over her is, accepting his patronage is a choice Ilyse regrets almost immediately.
Q: I read the biography on your website and laughed to myself because in high school I decided I was either going to school to be a writer or a marine biologist (same as you)!!! I decided I was not cut out enough for the math and just loved the ocean and animal cause, so I went to college for Journalism instead so I could write all about all the many things I love. I came away also with English and History degrees. That all said, besides being afraid of sharks, what really did pull you towards your creative pursuits as compared to science? How do you feel about your decision?
A: Haha, what a coincidence!!! I’ve been obsessed with sharks from a young age. I remember going to Sea World as a three-year-old and spouting off names of all the sharks in the little pond outside the Shark Encounter ride. I also literally started watching Shark Week at the age of two during its inaugural season 26 years ago (dating myself here ;) I still remember them flashing the poster of an enormous Great White shark with a Bermuda-shorted surfer inside its gaping mouth. Fun stuff! 😉
Then came Jaws—the movie, not the book. Let’s not even go there in regards to the book. I’ve never been more disappointed with a reading experience in my life! But I digress… I became fascinated with Jaws around the age of five when I went to Pic ‘n Save and saw the movie poster. What is it with me and posters? Anyway, I now make it a point to watch the movie twice a year, once on my birthday and once on the last day of Shark Week. You probably wouldn’t want to watch the movie with me because I know practically all the lines and usually say them in the same voices the characters use. My favorite, obviously, is Quint. “I’m talkin’ about sharkin’!” I sing his little sea shanties with him, too. 😉
What made me consider a career change, however, probably had something to do with Nigel Marvin and the premiere of Air Jaws around the year 2000. The fact that sharks could rocket out of the water was a paradigm shift for me and sort of tilted my world off its axis. Breaching sharks! It was a literary goldmine! Not to mention that it scared the wits out of me to think that I could be quietly minding my own business in a nice safe boat when Mr. Whitey would suddenly decide to go airborne and take me along for the ride. So that was when I knew I’d have more fun writing sharks into my stories instead of sharing the water with them. Strangely enough, though, a small insane part of me would still love to go cage diving with them in South Africa. We’ll see…
As far as creative pursuits in comparison to science, I still love the minutiae of marine and ocean studies, but I now find it much more exciting to be able to do the research or incorporate what I know about sharks and their behavior into my writings. In the dystopian epic I’m working on, white sharks play a huge role as one of the main antagonists (technically, a race of antagonists, because there are a lot of them!) of the story. They have their own species name, stratified society, unusual sharky abilities, and rather wicked roles to play in the oppressive world I’m creating. They are the toothed enforcers of the realm and have a symbiotic relationship with the undead soldiers who train them. They also get to wear steel helms and are so fierce you honestly can’t help thinking they are just a little bit awesome, as all Great Whites generally are. If I say any more, I’ll be giving away the plot, but suffice it to say that sharks are fascinating in real life and in literature, so I’m having a tremendously fun time giving them their own personalities and storylines and writing about their undeniable appeal in the new book. By the way, I’m a bit of a shark snob, so pretty much the only species of shark I’ll ever write about are Great Whites—my favorites. I tend to view every other shark as a poser. 😉
As a side note, I recently took the Discovery Channel’s shark personality quiz and was matched with, you guessed it, Carcharodon carcharias. I always had a feeling… 😉
Q: What do you feel was an interesting or important point in history in regards to women and women’s history?
A: I’ve often wondered how I would have fared as a woman writer if I had been born a few centuries ago. When I think about this, the person who always comes to mind in regards to the restrictions on women and how they were looked down upon for being writers (as were women who chose to go on the stage; the horror! Remember the scandal with Nell Gwyn?!) is Charlotte Bronte and how she originally signed her name to Jane Eyre as Currer Bell. I know the novel had been rejected many times and she was listening to the advice of Wordsworth and others, who claimed that “novel-writing wasn’t the proper pastime of a lady,” but it must have been infuriating to not be able to lay claim to your own work, especially a work as brilliant as Jane Eyre. It’s infuriating to me nearly two centuries later! In my own writing, particularly in the first book of my fantasy duology, I have a character who looks down on his fiancée because she reads too many novels. Can you imagine that kind of attitude today?! So, as far as women’s history goes, I believe that when we started to take charge of our writing careers and not care what men and other women (who could be just as spiteful and controlling, if not more so) or society thought of our chosen profession, this was a giant leap forward and an important advancement, at least to my thinking, for the suffragette movement and ensuring the right to vote.
Q: Do you feel women should “schedule” time for themselves as writers? Do women sacrifice too much instead of pursuing the muse inside them? How do you make time for writing?
A: I think it depends on your situation in life. If you’re single, of course you should have more time to write, or at least I would hope so! If you have family and job obligations, however, it becomes much more difficult to carve out pockets of time, but still not impossible. If you’re driven enough and passionate about your writing, though, you can find time to write in just about any instance, even if it’s only a few seconds to scribble down ideas on the corner of a napkin. I’m speaking from experience here. 😉
I do think, however, that women should try to set aside some quiet time (easier said than done!) where they can be alone and just let inspiration flow onto the page. I have a friend who designates specific days during the week where she will not take any phone calls or make appointments and just dedicates those set times to writing, so you can make it work; you just have to be creative about it. I try to carve out writing time at least every day. Sometimes I’ll have a span of maybe four or five hours in the evening, and sometimes weekends are totally devoted to writing. It depends on family obligations and other things that are going on, those so-called “life interruptions” that can be so detrimental to letting the muse have its day!
Q: Where are some grand places you’ve traveled, or would like to travel? And why?
A: To date, I’ve been to Switzerland, England, Wales, France, Belgium, Germany, the Czech Republic (visiting Prague was a great help in setting the scene for the latter part of Corcitura), Austria, and Hungary. In addition, I’ve been to several Caribbean islands and 25 of our 50 states, my favorite being Hawaii, which I had the opportunity to visit eleven years ago. I do not have an ounce of Hawaiian blood, but my first name is Hawaiian (it means Melissa), so I’ve always felt an affinity for the islands.
I would love to visit Ireland and also Russia one day—Ireland because my paternal grandmother’s family is from there and I’ve always been fascinated by the country (most recently by the entire Home Rule debate—thank you Downton Abbey! 😉, and Russia because I’ve been a Russophile since I saw the animated movie Anastasia when I was twelve. The viewing of that film also engendered in me a fascination with the Romanovs that continues to this day.
Q: Do you have some favorite authors? Some authors who have mentored your thoughts?
A: Yes, several! Some of my particular favorites would have to be P. G. Wodehouse, Jean Plaidy, Georgette Heyer, Daphne Du Maurier, Agatha Christie (I can never get enough of her mysteries! So entertaining!), Alexandre Dumas, J. R. R. Tolkien, C. S. Lewis, Jane Austen, Louisa May Alcott, and Sarah Rayne for her riveting novels of psychological suspense! Wilkie Collins is my wild card in there, too, and I also love everything I’ve ever read by Shannon Hale. Her novels are pure magic.
As far as mentoring, it would have to be Dumas for his amazing ability to write action scenes, Wodehouse for showing me the trick to making people laugh in fiction, Jane for the effortless way she writes the “dance of romance,” and Tollers and Jack (Tolkien and Lewis) for being the standard by which I measure all fantasy and motivating me to always be original.
Q: What other writings have you done? What’s next for you?
A: My latest novel, Corcitura, was published last year. Here is everything you need to know about the novel in a nutshell: Two vampires…one victim…endless trouble. Beginning in London in the year 1888, Corcitura tells the story of best friends Eric Bradburry and Stefan Ratliff, two eighteen-year-old Englishmen who are experiencing their first taste of freedom by setting out on a solo, grand tour of Europe. But what begins as the adventure of a lifetime, quickly explodes into a twisted untangling of centuries-old secrets as our protagonists are forced to flee from people who turn out to be much older—and somehow possess alarming otherworldly powers—than they originally appear. I am talking, of course, about vampires, and the two progenitors of the Corcitura are the stuff of nightmare: a half-wolf, half-vampire Vrykolakas and a five-hundred-year-old Upyr with an uncontrollable desire to create a hybrid creature to use as his own personal agent of destruction.
But vampires are just one facet of this story. Not only are the vampires horrifying, and their trickery something I wouldn’t wish on my worst enemy, but they have fascinating backstories that are inextricably linked with one of the main protagonists and his family—especially his sisters, who have a crucial role to play in how this story works itself out. If you love seeing female vampire protagonists having a major role in the outcome of the story, then you will love the two in this book. Let’s hear it for the girls! They have enough history and chutzpah to fill volumes more—which is my intended plan. They also happen to be werewolves. And if that duality doesn’t intrigue you, I don’t know what will!
My current project is the book with the sharks that I was talking about before. It is a complete revamping and reworking of my original first novel that I began at the age of fourteen, but abandoned for school, life, and other projects. I have been working on it since July of 2012 and have been totally transforming it into a dystopian epic set in a brutal and lawless world. The entire theme and outcome of the story have changed drastically (the sharks were always there, although they are a much bigger part of the story now), but all the exciting bits (mythical beasts, hidden identities, battles, political intrigue, and some truly horrifying and treacherous villains) are still part of the fabric of the story. With the passage of years, however, everything within the story seems to have more meaning and gravitas to me now. It is definitely not the same book I would have written as a fourteen-year-old, so I am very happy I put the novel on hold.
Additionally, I am mapping out and reworking my fantasy duology (which I’ve also been writing since 2003—that was my banner year for creative ideas, it seems!) and am currently finishing up a collection of short comedy/fantasy/horror stories set in Eastern and Northern Europe in the 1800s. It has been an exciting challenge to essentially create mini-novels in 40 pages or less for this collection.
Q: How can readers connect with you?
A: I would love for readers to connect with me on any or all of the following sites:
My website: http://www.booksinmybelfry.com/
And if you want to contact me directly, here is my email: firstname.lastname@example.org
Erin: Thank you so very much for sitting down and talking with me today. We wish you much continued success in all your creative pursuits! It was so nice to get to learn more about you.
Melika: This has been so much fun, Erin! Thanks for letting me share a bit of myself and my work with you and your readers!